Adapting to Changes


With Baz Luhrmann’s adaptation of The Great Gatsby looming over us like the Ghost of Christmas Yet to Come, the matter of film adaptations is once again a topic of unhappy internet chatter. As usual, it’s largely breaking along the views that a classic is being ruined and that the book remains intact. (Although this time a number of people are hoping that the film is a masterpiece of ill-conceived excess.)

For my own part, while I have always been fine with the glorious misfire that was the 1960s release of “Casino Royale”, the recent version incensed me. Given the opportunity to restart the Bond film franchise, the decision was made to start with him as a violent thug. To me, the core of the book was that he had been more or less playing at espionage until the events surrounding this job hardened him and gave him focus. So to throw that aside seemed to miss an opportunity as well as the point.

It’s not on a level with the attack by natives in “The Scarlet Letter”, but it’s a cinematic grudge I’ve held on to with all the strength that nerdrage allows. I still haven’t gotten over “Congo”, and to be honest the book wasn’t even especially good.

I do agree that the source is still there, and I’ve even clung to the thought that even a bad adaptation could get new readers for the book. I think it’s more likely that viewers unfamiliar with the work will simply move on.

I’d like to be able to move on, myself. I only have so much energy for outrage, and I need to save it in case Tom Hanks gets another Oscar.

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One thought on “Adapting to Changes

  1. I’m somewhat optimistic myself, as I’ve found Luhrmann’s efforts entertaining even when they weren’t entirely successful. I thought his Romeo and Juliette was stunning, Moulin Rouge was an interesting experiment, and I’m a total fanboy for Simply Ballroom. Odd subculture in that one, I have to say.

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